In their remarkable book  "MAJOLICA", Marilyn G. Karmason et Joan B. Stacke, two of the best connoisseurs of majolica, write that Robert Lehr possess "a vast knowledge on french and other european Majolica. He is a collector, a dealer, a scholar".
 
 

Robert LEHR, expert in european ceramics of the XIXth century, has written extensively on French followers of Bernard Palissy and on many other subjects."
 
 
This expertise have been held on Wednsday, April 23th 2000, with Marilyn and Joan.
 
 
 

 
 
NUOVA CUCINA (Milano)  SIMFONIA PER ASPARAGI  (Asparagus Majolica cradles)
TROUVAILLES (Paris)  L'ASPERGE ET L'ART
A.B.C. (Paris) BARBOTINES DES MASSIER A VALLAURIS
TUTTO CUCINA (Roma) LA GRANDE ILUSIONE (Majolica asparagus sets)
ANTIQUARIATO (Milano) MAIOLICHE MASSIER - La natura in casa
L'OBJET D'ART (Paris) L'ART NOUVEAU A VALLAURIS
L'OBJET D'ART (Paris) LES EMULES DE PALISSY
L'OBJET D'ART (Paris) MINTON's MAJOLICA
CONNAISSANCE DES ARTS (Paris) L'ESPRIT DE PALISSY EN TOURAINE
FRANCE ANTIQUITES (Usson) LES SUIVEURS DE BERNARD PALISSY
ABRAMS (New York) MAJOLICA by Marilyn G. Karmason et Joan B. Stacke - Chapitre 10 : Continental Poteries
ATHLONE PRESS (London) PALISSY WARE with Marshall P. KATZ - The Bible !
 

French majolica of the second half of the nineteenth century is known as barbotine. Barbotine is the French word for slip, a mixture of water and clay, used for raised decorative details, usually floral. The basic manufacture of majolica was the same on both sides of the English Channel. The colored glazes - ranging from the cobalt blue of Palissy seascapes to the sandy beiges of Emile Gallé to the hot pinks and oranges of Delphin, Clément, and Jérôme Massier - alert the collector to paletes different from those of English and American majolica.

Especially for linguistical reasons, and certainly for economics purposes, the ceramists of Stoke on Trent: Minton, Wedgwood, Georges Jones, etc., had exported quite exclusively to the United States. They did not had too much success in continental Europe, where the market was dominated by the french production of "barbotines" french word for Majolica.

This explains the rarity of British Majolica in the european collections, and symetrically the small number of continental majolica in the US collections.

I wish to precise that from the artistic point of view, the 19th century was postponed for about 15 years. It starts in 1815, after the fall of Napoleon, and the explosion of creativity that follows, and it will only end in 1914, with the beginning of the World War One. After that, nothing will be as before.
 
 
"FENOUIL", our gallery, is located on the "Côte d'Azur", midway between Cannes and Nice, at the bottom of the ravishing village of Biot. It is specialised in european ceramics of 19th century, in Majolica, in works by the French followers of Bernard Palissy. 

The postal adress is : "FENOUIL" (Robert Lehr) 1369, Route d'Antibes, 06410 BIOT / FRANCE 
Telephone : 00 33 4 93 65 09 46 
E-mail : lehrrobert@aol.com 
Web site : http://perso.libertysurf.fr/majolica 

 

 

We divided in five categories the works available today in FENOUIL : 1) The Massier family, 2) Palissy's followers  3) English Majolica  4) Trompe l'oeil  5) Miscellaneous. The pictures we present on the site can sometimes be of an average quality, and make difficult a full appreciation. If you so wish, we shall send you real photos of the work, together with is price.

This Web site shall be, of course, in constant evolution, with the addition, the 1st of every month, of pictures of our recent discoveries, and withdrawal of the pieces gone to private collections and museums.
 
 
 
Click on the following links to get to a complete list of photos 
concerning the subject :
The Massier Family

Palissy's Followers

English Majolica

Trompe l'oeil

Miscellaneous